Michael Prodger

The link between art and heart

A new Barbican exhibition explores how two were often better than one in the creative process

Lasting legacy of an English idealist

Samuel Courtauld’s Impressionist paintings can now be seen beside those he bought for the nation

An Exhibition of and for the nation

The Royal Academy’s summer bunfight has long ceased to be the place for new waves to emerge

Essex man who left his mark

Edward Bawden’s versatility has  masked his huge contribution to 20th-century British art

Lusting after ruins: Rodin and the art of ancient Greece

For much of his life, Auguste Rodin suffered from an undiagnosed complaint: an ailment the Germans call Ruinenlust

The unknown Americans

US artists of the interwar years can at last be appreciated in a revealing Oxford exhibition

Emil Nolde: The primacy of colour

Emil Nolde is a curious and paradoxical artist: a supporter of the Nazis, who in turn proscribed his pictures as “degenerate art”

The man who set himself in stone

Murillo has gone out of fashion but an exhibition of his portraits may help to restore his reputation

The eye homes in — he homes out

Andreas Gursky’s disquieting yet sublime photographs form the first show at the refurbished Hayward

Nifty shades of grey

A new exhibition at the National Gallery displays an extraordinary range of monochrome works

Underrated: Abroad

The ravenous longing for the infinite possibilities of “otherwhere”

The king of cakes

"Yuletide revels were designed to see you through the dark days — and how dark they seem today"