Michael Prodger

Michael Prodger

Roy Lichtenstein based his work on comic strips but his approach to painting was intellectual

Edouard Manet’s virtuosity in painting the human form is unsurpassed—and highly original

It is rare for great artists to keep producing well into old age. Two biographies of Titian and Cézanne reveal masters who saved their best until last

Three shows run the gamut of artistic expression, from the glorious Goya to risibile performance art

The National Gallery’s new show, Seduced by Art, celebrates the lasting influence of photography’s earliest pioneers

Peter Lely’s underrated pastorals and mythologies are erotic delights for the connoisseur

The Pre-Raphelites, whose work stars in a new Tate Britain show, dismissed the artistic hierarchy and founded a brotherhood with fire in the belly

Sterling Clark’s collection of French art, on show at the Royal Academy, is as appetising as it is unfamiliar

Edvard Munch may have yoked new technologies together but his leitmotifs were timeless

In six decades of portraits the Queen’s impenetrable expression has barely altered