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Critique
Poles apart, linked by one instrument
Chopin and Wanda Landowska were very different musicians with only one thing in common
Jonathan Gaisman
Critique
How Monet created motion pictures
The great Impressionist’s series of paintings of Rouen Cathedral prefigures the movies: his eye was the camera, his canvas the screen
Jeffrey Meyers
Critique
Musical mountain obscured by cloud
Two centuries on, Beethoven’s Hammerklavier Sonata is still as enigmatic and sublime as ever
Jonathan Gaisman
Critique
Philip Pullman: siding with Satan
The fantasy writer is indebted to the Inklings, whose Christianity he rejects in favour of gnosticism
Michael Nazir-Ali
Critique
The little town that just won’t lie down
Tiny Fordwich in Kent, still thriving after 1,400 years, faces a new invasion: London foodies
Patrick Heren
Critique
Tormented prophets of apocalyptic art
Schiele and Soutine both used art to express pathological suffering and confront death
Jeffrey Meyers
Critique
Can rape and murder make beautiful art?
An exhibition at the Palazzo Strozzi, Florence, raises the question of depicting violence
Alasdair Palmer
Critique
A Europhile Brexiteer takes the Grand Tour
A journey through Europe was an opportunity to gauge reactions to the referendum
Lincoln Allison
Critique
Cornish master class in the art of the sublime
How an inspiring Hungarian violinist created a musical community at IMS Prussia Cove
Jonathan Gaisman
Critique
The Princess and the Poet
An inscription in an old book is the clue to a lost world of literary salons and love affairs
Daniel Johnson
Critique
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Underrated: Abroad
The ravenous longing for the infinite possibilities of “otherwhere”
Stephen Bayley
Underrated
The king of cakes
"Yuletide revels were designed to see you through the dark days — and how dark they seem today"
Carolyn Hart
Food
A tripod in the sky
The view from above
Christian House
Drawing Board