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Issue: January/February 2016
The Fine Art Of Editing Reveals The Real Eliot
The new edition of Eliot's elusive poems surprises, delights and informs
David Womersley
Books
Erotic Tonic For A Mad World
Catullus's life — and snapshots of metropolitan Rome — are revealed through his poems in Daisy Dunn's quick-witted biography
Jessie Childs
Books
The History Of Our History
Two new editions of classic texts illuminate the duality of deep histories
Jeremy Black
Books
Keep The Red Flag From Dying
Growing up Communist in post-war Britain
Michael Mosbacher
Books
Life In The Left Behind Party
How UKIP metamorphosed from ex-Tory Eurobores to a political force appealing to all manner of malcontents
Oliver Wiseman
Books
Nordic Violet
An exhibition at the Dulwich Picture Gallery sheds light on the work of the Norwegian artist Nikolai Astrup
Laura Freeman
Drawing Board
Il Faut Cultiver Notre Jardin
Monet was the first among many artists of his era who combined horticulture and painting
Michael Prodger
Art
Is There A Right Way To Write?
Most of the rules enforced by pedants are pointless or outdated. But here are a few that may be useful
Nick Cohen
Screen
An Operatic Pilgrimage
After fifty years as a music critic, I finally made it to La Scala. What was I missing? Everything
Norman Lebrecht
Music
From Agitprop To Elegy
Despite its political pieties, Caryl Churchill’s
Here We Go
is a thoughtful look at life and death
Anne McElvoy
Theatre
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Underrated: Abroad
The ravenous longing for the infinite possibilities of “otherwhere”
Stephen Bayley
Underrated
The king of cakes
"Yuletide revels were designed to see you through the dark days — and how dark they seem today"
Carolyn Hart
Food
A tripod in the sky
The view from above
Christian House
Drawing Board