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Filming his social criticism is not as easy as it looks. There is a conceit among television people that if Dickens were reincarnated, he would write for them. They don't seem to know that he did write for the Victorian equivalent of television, the popular theatre, and pretty dreadful his efforts were. He was a novelist, not a scriptwriter, and is far harder to adapt than those who glibly believe his work foreshadowed television drama realise. The line I quoted about the Circumlocution Office comes from a 1,500-word assault on Civil Service indolence, which is almost a stand-alone essay. It is rollicking, satirical, entirely applicable to the Financial Services Authority and impossible to film.

Instead of trying, Davies and the producers have Arthur Clenham, the hero, try to find why Little Dorrit's father is in a debtors' prison by sending him to their version of the Circumlocution Office. They house it in a rotunda, with a circular pattern of tiles on the floor. Clenham goes down a spiral staircase to meet Mr Tite Barnacle junior, who is surrounded by a circle of official papers. Clenham stops beneath a circular skylight in the domed ceiling - by which time, I think, most viewers will have got the point - and asks for files on the Dorrit case.

"Oh no," [replies the outraged civil servant.] "Oh no, that's not the way to do it. Upon my soul, you mustn't just barge in here saying you want to know, y'know."

"But I do want to know and I shall persevere until I do know."

"Upon my soul, you stick to it in the devil of a manner. Look, I can give you some forms for you to fill in, if you like. They will go round the various departments, probably come back here from time to time to be endorsed or counter-signed, but nothing will come of it in the end. I promise you that. You'd do much better to give up. That's what most men do."

"But surely this is no way to get things done?"

"You might think so, sir, but that is how we do things at the Circumlocution Office."

Davies invented all but the first line of dialogue, but captured the spirit of the original polemic on camera perfectly.

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Max Dunbar
December 10th, 2008
12:12 PM
I agree with the main point of this article but it does take time to write and publish a book and the fiscal crisis has only just happened really. Patience, Nick!

Steve
December 2nd, 2008
11:12 AM
How many contemporary novelists have you actually met, Nick? it doesn't sound like many., in fact the main person your caricature fits is a novelist you admire - Martin Amis. It's sad to see someone so out of touch with literature denouncing it. GIVE EXAMPLES. without them, you're simply arguing with straw men and it's to your detriment. After all, the person who's doing most to make the world of finance understandable to book-lovers is the novelist John Lanchester. There are a lot of recent books which deal with finance, but not in a straightforward way - for example, The Line of Beauty by Alan Hollinghurst (which the BBC actually adapted!). And the novelist Ali Smith, who could also be said to adhere to part of your caricature, quotes Nick Cohen on the frontispiece of her novel The Accidental. Evidently the kind of nuance required to write - or even to read - a novel has eluded Mr. Cohen. But that's his fault, not the fault of novelists.

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