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That's my first thought.

My second thought is this. The arts and humanities not only introduce us to foreign worlds, they teach us to treat them well. They teach us to read strange and intractable texts with patience and care; to meet alien ideas and practices with humility, docility, and charity; to draw alongside foreign worlds before we set about — as we must — judging them. They train us in the practice of honest dialogue, which respects the "Other" as a potential prophet, one who might yet speak a new word about what's true and good and beautiful.

A commitment to the truth, humility, a readiness to be taught, patience, carefulness, charity: all of these moral virtues that inform the intellectual discipline into which the arts and humanities induct their students; all of these moral virtues of which public discourse, whether in the media or in Parliament or in Congress, displays no obvious surplus. All of these moral virtues, without which this country and others may get to become a "knowledge economy", but won't get to become a "wisdom society". 

And public decisions that, being unwise, are careless with the truth, arrogant, unteachable, impatient and uncharitable, will be bad decisions — and bad decisions cause needless damage to real institutions and real individuals.

What I'm saying, then, is that in addition to providing talented individuals with the opportunity to grow their gifts and find a social role to exercise them; in addition to producing qualified applicants for positions in legal practice and in public administration; in addition to training the labour-force to man a high-tech, service-oriented economy; and in addition to generating new scientific knowledge with technological or commercial applications, universities exist to form individuals and citizens in certain virtues — virtues that are not just intellectual, but are also social and political.

Historically, Oxbridge — with its medieval heritage of small college communities and their chapels, and with its tutorial system — has recognised that education is properly not just about the communication of information or ideas by lecture, nor just about technical apprenticeship, but about the morally formative influence of tutor on student. 

It has recognised that this relationship does have a certain pastoral quality to it, that this need not be paternalistic, and that it can develop into equal friendship — as in my experience it not infrequently does. This was certainly the ideal and the practice of John Henry Newman, of whom it was reported by Ian Ker in John Henry Newman: A Biography (Oxford University Press, 1988) that when he was a Tutorial Fellow at Oriel College in the late 1820s, "He cultivated relations [with students], not only of intimacy, but of friendship, and almost of equality." And when he came to found his Catholic University in Dublin, Newman was adamant that its tutors would represent "that union of intellectual and moral influence, the separation of which is the evil of the age". 

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Andrew Troup
November 20th, 2010
4:11 AM
I had resolved to follow the example of others who have not dignified Masha's 'suggestion' with a reply, but I was troubled by the possibility that an impressionable mind might mistake the absence of refutation for some sort of tacit affirmation. Biggar's contention in this article is that Zhdanov was half right on one specific assertion. Dmitri Shostakovich was prepared to make a larger claim, namely that Zhdanov was '(so) often right' - a startling claim from someone so obviously in Z's sights at that moment. Given Zhdanov's gulag-populating proclivities, it is striking to me (as clearly it was to Biggar) that someone in so much danger could still entertain the possibility that Z was not automatically wrong about everything - whereas Masha, despite the fact that s/he is presumably not accessing the www from within a gulag, seems disposed to tap-dance on the coffin of that possibility with a complacent certainty which seems to me to characterise a closed mind. The tenor of the article suggests that Biggar chose the example because of this dramatic contrast between Z's wrong-headedness and the fact that he nevertheless had a valid point (or half a point) on this issue. Masha seems to prefer to infer that Biggar chose it because he saw Zhdanov as some sort of moral oracle; M offers no refutation of the idea, preferring simply to 'denounce' the source. This seems to me to be an example of the sort of Orwellian political correctness (in the original sense) which collapsed the Soviet Union. The suggestion that Biggar stick to his own field reminds me of a similarly reasonable suggestion I saw recently. A letter to the editor of my local rag suggested that those who sought to disallow dogs on certain local beaches were clearly not dog owners, and hence had no relevant expertise to bring to the discussion. I am inclined to disagree. I do not believe I require expertise on dogs, or on oysters, to recognise that what dogs lay on beaches are not pearls. Conversely, Biggar does not need specific (presumably historical) expertise to assess an idea from any source on whether it might contain a germ ... or a pearl ... of present-day merit.

Masha
September 16th, 2010
9:09 PM
Is this guy for real? Quoting "Comrade" Zhdanov,who made a solid contribution to the gulag population, when talking about the artist and moral contributions. Can I suggest he sticks to his own field?

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