It can be difficult to make students see that studying literature is not like studying maths, that there are rarely simple right/wrong
answers, that I cannot tell them something definitive which, on exact repetition, will ensure they pass their exam with high marks. This is a difficult concept to grasp at the age of 15 or so. Panic sets in. "But you've got to know the answer, you wrote the f---ing book didn't you?" But encouraging, helping, explaining, clarifying - teaching, even - are one thing. Writing their essays, doing their coursework, providing nuggets of information in bullet-point form to be cut and pasted in are another matter. Last week, I told a girl that no, I would not actually write her essay for her. "Why not?" she replied. Did she genuinely not know?
Do I mind being "a set book author"? No, so long as I can somehow make everyone who has to study a book of mine understand that what I wrote was a novel, a story, to be read and enjoyed, not a set text on which exam questions could be set. One of the novels I studied for O-level was George Eliot's Silas Marner. It was dully taught, we analysed it out of existence, and I have never been able to face it since. I often implore students not to let this happen to my books.
I wonder if they listen.
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