True as this was, I think we have moved beyond that point. The style of protest is still there, but protest isn't felt. It has gone on so long that a complete detachment from the past has been achieved, and the activity of modern art schools has therewith lost its wider historical context.
We must worry whether through this system, with its primitivism, deconstructivism, its self-indulgence and downright stupidity, the character of art that lasted many centuries can be preserved. We are at a crisis point, at least within our official institutions. Art has survived many things, and it has at times been sustained by fierce self-criticism, which is of course a good sign of concern. What we have to ask now is whether art can also survive its denial, and consequent neglect — this way, all that art was risks being forgotten.
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