PETER WHITTLE
January/February 2013
A glut of superb performances in 2012 reflects a rising general standard in the actor’s craft
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January/February 2013
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February 2009
In the run-up to the Oscars, the doyen of British film criticism Philip French discusses the demise of cinema as an art form with Standpoint's critic Peter Whittle and editor Daniel Johnson
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Peter Whittle
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