The London Bombers works so well because it is a family drama about inter-generational conflict as well as an account of the largest British massacre since Lockerbie. The BBC captures the claustrophobic milieu of bodybuilding and vigilantism into which the men retreat. The bomb-making in a tiny terraced house becomes a male-bonding ritual in which the members of a cult of death squash each other's doubts.
"How can we keep Muslims off the Tube that day?" asks Abdullah Jamal,
the fourth bomber. "They'll go straight to paradise," answers Sidique. "It is quadaa [fate] that they're there. And if it is Allah's wish ..." (Pause ). "We need more acetone."
So psychologically convincing is the portrayal of macho loyalty and lure of barbarism that viewers can understand how these men turn into mass murderers.
Except that they can't and won't understand, because the BBC will not give them the opportunity to understand. This is a review of a drama that was never made.
The reporters convinced the families of three of the four bombers to cooperate. By the end, they agreed that the BBC's account of their sons and brothers' lives and deaths was accurate. Cafolla submitted five versions of the script. He was working up to a final draft when the BBC abandoned the project.


















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