It took about a year for my English to become fluent at which point my school life gradually began to look up. Luckily for me, there was a terrific craze for roller-skating a year or so after I arrived, and because I had learnt ice-skating in Switzerland, I was a whizz at this "sport". So my lowly status was considerably enhanced.
We enjoyed a huge amount of freedom-and free time-compared to children in most schools. Classes were very informal and we called teachers by their first names or by nicknames. In other ways too, we were extraordinarily privileged. It was one of the very few schools, for example, where every child had his or her own bedroom. Uniforms were spurned. We wore casual "week-end" clothes. Jeans had not yet become the unisex uniform of Western youth.
In the "Middle School" — for children up to the age of 13 — we were too young to understand the school's educational philosophy and, luckily, some of the teachers did not seem fully to believe in it. The maths teacher, for example, an elderly lady whose grey hair was tied back in an old-fashioned bun, made us memorise our multiplication tables with the aid of "Smarties tests". We would be awarded prizes of these much-coveted little multi-coloured chocolates if we did well. This method worked brilliantly (particularly as sweets were still rationed in this post-war period) and I have remembered my times-tables ever since — but it didn't exactly chime with the school's anti-rote-learning or anti-competitive ethos.
Most of my memories of this time involve out-of-class activities — going to see a film, for example, which, in those pre-television days, was an intensely thrilling treat. The nearest cinema was to be found in the seaside town of Paignton where, about twice a term, one of the teachers would take us by bus to see the latest "U" (universal, i.e. for all ages) certificate film. The programme would always include two films, one of them a B movie. These shorter, low-budget productions — usually crime stories — which were wonderfully free from "art-house" or any other pretensions, were more lurid and therefore often more gripping than the main feature.
- Teeth
- La Buena Muerte
- Judaeophobia
- Cool It
- Rachmones
- From 'Russia'
- 'Going Out' and Five Other Poems
- The Final Edition
- 'The Ship of Endurance' And Three More New Poems
- The Letters Of Hugh Trevor-Roper
- Lighten Our Darkness
- Poetry
- Folie à Dieu
- New Poetry
- Adultery?
- Reece Mews
- Robin
- Two New Poems
- Three New Poems
- Freedoms We Risk Losing


















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