Articles By Anne McElvoy
April 2019
Joshua Harmon’s new play about the struggle to get into top American universities could not be more timely
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March 2019
The classic Tartuffe transposed to Highgate provides a witty commentary on post-crash London
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February 2019
New plays on Broadway and at the Royal Court take on gay coming of age and corporal punishment
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February 2019
The brave dissident East German singer and songwriter still standing up for freedom
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December 2018 / January 2019
A new play about a bereaved London Caribbean family avoids the preachiness of much contemporary drama
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November 2018
George Gershwin’s masterpiece is revealed in all its splendour by ENO’s sprightly new co-production
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October 2018
Stephen Karam’s Broadway hit about a family at the mercy of the market resonates in London too
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September 2018
The American director Bartlett Sher has restaged two classical musicals with style and panache
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July/August 2018
Little theatres like the Donmar and Jermyn Street are important venues for attracting new audiences
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June 2018
The rap musical Hamilton reminds us that shakedowns and steamy liaisons are far from new in US politics
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May 2018
A Congreve classic revival and a new play tackle societal mores and the battle of the sexes 200 years apart
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April 2018
The hit musical is going on tour, demonstrating a success that eludes the National Theatre’s Shakespeare
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March 2018
The National Theatre’s former director is giving it stiff competition further down the Thames
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February 2018
A new production of The Birthday Party emphasises its roots in the grim reality of post-war Britain
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December 2017 / January 2018
The Old Vic is tarnished by its refusal to face the truth about its former artistic director
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November 2017
A drama about the Middle East peace process and a Sondheim revival explore wasted opportunities
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October 2017
Stockard Channing is now lighting up the London landscape that was shaped by the late Sir Peter Hall
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September 2017
James Graham catches the atmosphere of Sixties tabloid jounalism in his new play about Murdoch’s Sun
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July/August 2017
The National Theatre’s new play about Enclosure is a dud, unlike On The Town in Regent’s Park
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June 2017
Jez Butterworth pulls off a first at the Royal Court — a play that doesn’t blame Mrs Thatcher for everything
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May 2017
The memoir of the National Theatre's former artistic director is absorbing, insouciant and amusing
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May 2017
Daniel Radcliffe puts Potter behind him as Rosencrantz in the Old Vic’s revival of a youthful masterpiece
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April 2017
A new play charting the SDP’s attempt to reshape UK politics is, fittingly, all talk and little action
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March 2017
A movie star’s Broadway outing in Stephen Sondheim’s musical revival attains pointillist perfection
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December/January 2016/17
Harriet Walter as Prospero and Glenda Jackson as Lear redress Shakespeare’s gender imbalance
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November 2016
From the Easter Rising in Dublin to Lenin and Joyce in Zurich, revolution is a gift to the dramatist
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October 2016
The director Polly Findlay shows once again her ability to invest a classic play with a modern sensibility
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September 2016
Harry Potter takes to the stage in an enjoyable romp with enough twists for both parents and children
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July/August 2016
Serial killer, misanthrope, misogynist — Richard III gives Ralph Fiennes plenty to work with
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June 2016
Sunset Boulevard was a splendid vehicle for a Hollywood star to bring a tearful audience to their feet
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May 2016
Britain changed hugely between The Caretaker and Billy Elliot but some themes seem oddly familiar
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April 2016
Dominic Dromgoole bids farewell to a lively decade at the Globe with a relaxed and tricksy Tempest
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March 2016
Ralph Fiennes is ideal for Ibsen’s Solness while James Graham evokes the sad clown Screaming Lord Sutch
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January/February 2016
Despite its political pieties, Caryl Churchill’s Here We Go is a thoughtful look at life and death
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December 2015
Harley Granville Barker upset the censor with his study of a political idealist and bedroom bounder
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November 2015
Rachel Cusk’s version of Euripides’s Medea boldly reworks the eternal theme of domestic disharmony
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October 2015
Patrick Marber cuts Turgenev back to the essentials while Cumberbatch triumphs in a muddled Hamlet
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July/August 2015
Behind the National’s interpretation of The Beaux’ Strategem is a lasting insight into marriage and money
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June 2015
A revival of a classic satire on social mobility, a debunking of tabloid editors, and a deflating of Boris
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May 2015
Mark Strong gives an award-worthy performance as a Hercules brought low in A View from the Bridge
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April 2015
Two productions of Antigone show the elasticity of one of the most challenging plays in the canon
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March 2015
Despite its intractable subject matter, The Hard Problem is an elegant and ingenious work
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January/February 2015
Assassins is a tasteless but energetic gallop through the long roll-call of America’s obsessive killers
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December 2014
The Rivals was a flop when it premiered in 1775. Yet Sheridan's comedy of manners still delights us
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November 2014
Phyllida Lloyd’s all-female Henry IV was not the politically correct muddle it might so easily have been
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October 2014
An ambitious stage version of Pat Barker’s Regeneration helps us reflect on the Great War without hectoring
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September 2014
Tennessee Williams's A Streetcar Named Desire is the perfect vehicle for Gillian Anderson's talents
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July/August 2014
A highly-rated Broadway hit imagining Armageddon in America makes an uneasy transfer to London
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June 2014
Like other stage depictions of the NHS, This May Hurt a Bit worships a system in desperate need of reform
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May 2014
King Charles III is a "what if" play. Mike Bartlett's counterfactuals may be improbable but they do entertain
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April 2014
Versailles trots out Keynes’s tired arguments while 1984 mistakes Winston Smith for Edward Snowden
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March 2014
Tom Hiddleston was the latest big-screen heart-throb to bring Shakespeare to his adoring fans
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January/February 2014
It was a fine year for the Bard, with David Tennant, Rory Kinnear and Jude Law impressing, but there was far more than just Shakespeare
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November 2013
Henry Goodman is outstanding as Arturo Ui, the German playwright's terrifying caricature of Hitler
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October 2013
Vicky Featherstone’s first outing as artistic director of the Royal Court is tiresome and intolerably preachy
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September 2013
Lucy Kirkwood's absorbing and visually ambitious Chimerica ranks as one of the year's best plays
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July/August 2013
Peter Nichols’s Passion Play is a trifle dated, but it may make you wonder anxiously where your other half is
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June 2013
The West End’s latest box office hits specialise in existential angst and domestic backstabbing
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May 2013
A double bill of Alan Bennett plays expertly transports us to a world of childhood hopes and grief
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April 2013
The Book of Mormon has some awful jokes but ultimately succeeds because of its affection for its subject
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March 2013
Revivals of Harold Pinter and Simon Stephens explore memory and the consequences of actions long ago
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January/February 2013
Castigating conservatives on stage is now mandatory—This House at the National doesn’t, and so succeeds
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December 2012
Four Uncle Vanyas in a year is too many, but better Chekhov in Russian than ‘immersive theatre’
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November 2012
Scenes from an Execution proves that age cannot wither Fiona Shaw but Juliette Binoche's British debut in Mademoiselle Julie is a flop
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October 2012
Two new plays and one classic depict young women who are mad, bad and dangerous to know
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September 2012
Contemporary analogies and a strong cast can save below-par Shakespeare like Timon of Athens
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July/August 2012
The National's Antigone is politically compelling but lacks a sense of awe
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June 2012
Amid the fad for immersive drama, a Rattigan/Hare double-bill shows you just can’t beat good writing
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May 2012
Revivals from three countries explore the anxieties of superfluous men and women
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April 2012
A brave new play at the National challenges liberal received wisdom on multiculturalism
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March 2012
She Stoops to Conquer at the NT is so unsubtle as to be OTT—like many of the National’s comedies
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January/February 2012
The death of Christa Wolf has left Germany bereft of a powerful bridge of literary consciousness, whose universal work could talk to a once-divided nation
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January/February 2012
Peter Capaldi at the Gielgud is a scream but Lenny Henry at the National gets out of hand
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December 2011
The wonderful story of The Pitmen Painters is spoiled by Lee Hall’s insistent left-wing moralising
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November 2011
The West Yorkshire Playhouse’s production of King Lear is a pacy triumph
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October 2011
A new revival of Top Girls shows that Caryl Churchill’s Thatcherite satire retains its dramatic vigour
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September 2011
The Donmar’s new production of Anna Christie benefits from Jude Law’s muscular energy
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July/August 2011
Reworking a masterpiece can be a tricky business. The National Theatre succeeds with Goldoni but not with Chekhov
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June 2011
The National’s dramatisation of the Ipswich murders is touching and telling in equal measure
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May 2011
On the centenary of his birth, two Rattigan revivals showcase his best — and worst — work
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April 2011
Mike Leigh’s Ecstasy casts a chink of light on social misery. Neil LaBute’s new play lets in even less
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March 2011
The climate has changed for eco-dramas. Greenland at the National doesn’t work; The Heretic at the Royal Court does
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November 2010
By making Elsinore a modern surveillance state, Hytner’s production has added menace
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August 2008
Nudge is glib trickery, albeit of a very nicely spoken, bland cross-party 21st-century sort
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About Anne McElvoy
Anne McElvoy is a senior editor of the Economist and a columnist for the London Evening Standard. She broadcasts regularly and presents the arts programme Free Thinking on BBC Radio 3.
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