Of course, it is part of the point of the Gerald Durrell memoirs to represent pre-war Corfu as an ahistorical paradise. My Family and Other Animals and The Garden of the Gods do not mention the war at all, and the former mendaciously describes the family as returning to England for Gerald’s education (they left in June 1939 precisely because of the approaching war). Birds, Beasts and Relatives, however, ends with an elegiac letter written by Spiro the chauffeur to Margo: “Dear Missy Margo, This is to tell you that war has been declared. Don’t tell a soul. Spiro.” Lawrence’s more adult memoir, Prospero’s Cell, contains an “Epilogue in Alexandria” (he and Nancy left Corfu only in September 1939), which ends with a reminiscence of April 1941 when he sailed to Crete:
I found myself thinking back to that green rain upon a white balcony, in the shadow of Albania; thinking of it with a regret so luxurious and so deep that it did not stir the emotions at all. Seen through the transforming lens of memory the past seemed so enchanted that even thought would be unworthy of it.
Theodore had a similar Brideshead Revisited moment when he went to fight in Crete in the same year. In the Epilogue to the 1973 Island Trails he wrote: “Some of the chapters of this book were roughed out while I was serving with the R.A.M.C. in the Western Desert.” He describes his 1933 touring visit to Crete with the following prolepsis:
Little did I guess then under what unexpected circumstances my next journey to Crete, in May 1941, was to be made. I did not see the ruins of Knossos; but I saw the ruins of Canea and the parachuted thugs who were spewed on that helpless town from the skies.
Haag’s biography supplies some of the history which the Durrell memoirs lack — including an extraordinary vignette of Lawrence living in Cyprus in the 1950s. He and his second wife Eva would sit at opposite ends of a table with their typewriters — Lawrence writing The Alexandria Quartet in which Eva appears as Justine, while Cypriot bombs shook the very windows around them. When Gerald looked into setting up his pioneering zoo on the island, he quickly realised that the political situation — of a terrorist campaign to achieve union with Greece — made this impossible. Haag notes that “Larry himself was nearly killed by a terrorist’s bullet and an incendiary bomb was placed in his garage”. But he does not mention the dictatorship, which was in power when the BBC took Gerald and Theodore to Corfu to film the 1967 documentary The Garden of the Gods. In this, the son of the Greek ambassador to London, then aged ten, ran about recreating the role of Gerald of the mid-Thirties. At the same time, both of Theodore’s grandsons were under house arrest in Athens.

















