It was at the outbreak of the War that I feared there might be no more of him. And there was, indeed, less. No longer young, he did not acquire more than a smattering of the military idiom, nor any complete grasp of strategy. But he was ever in close touch with the War Office and with G.H.Q., and was still fairly oracular. Several times in the last year of the conflict, he visited (with temporary rank of Lieutenant-Colonel) certain sectors of the Western Front and made speeches to the men in the trenches, declaring himself well-satisfied with their morale, and being very caustic about the enemy; but it may be doubted whether he, whose spell had never worked on the man in the street, was fully relished by the men in the trenches. Non omni omnia. Colonel Dodworth was formed for successes of the more exquisite kind. I think the Ministry of Information erred in supposing that his article, "Pax Britannica — And After", would be of immense use all the world over. But the error was a generous one. The article was translated into thirty-seven foreign languages and fifty-eight foreign dialects. Twelve million copies of it were despatched in a series of special trains to a southern port. The Admiralty, at the last moment, could not supply transport for them, and the local authorities complained of them that they blocked the dock. The matter was referred to the Ministry of Reconstruction, which purchased a wheat-field twenty miles inland and erected on it a large shed of concrete and steel for the the reception of Dodworth's pamphlets, pending distribution. This shed was nearly finished at the moment when the Armistice was signed, and it was finished soon after. Whether the pamphlets are in it, or just where they are, I do not know. Blame whom you will. I care not. Dodworth had even in the War another of his exquisite successes.
In extreme old age, Max remarked of Kipling to S.N. Behrman, who published a delightful book called Conversation with Max: "He was a genius, a very great genius, and I felt that he was debasing his genius by what he wrote. And I couldn't refrain from saying so." He saw Kipling once in White's Club, and caught his eye, and wanted to go up to him and try to mend fences: "Why didn't I do it? Why didn't I unbend? Why did I go on persecuting him? And now he is dead and it is too late."
I could not imagine putting pen to paper before I had reacquainted myself with "T. Fenning Dodworth", an essay written in 1922 which can be found at the end of Mainly on the Air, a volume published in 1946 containing six of Max's radio broadcasts. It begins with the words, "This name is seldom, if ever, on the lips of the man in the street." Dodworth is a kind of Widmerpool, but less successful: he is held in the highest esteem by expert judges, despite having failed in the most ludicrous manner to achieve any kind of popular success in any field he has touched, including law, politics, journalism and the theatre. During the constitutional convulsions before the First World War, he is in his element, becoming an "ubiquitous" and "mesmeric" commentator. Max goes on:
I cannot read this without laughing aloud. The one unfortunate touch in it is the repetition of the word "exquisite": the sort of word to which Max's biographer, Lord David Cecil, had no objection, but to which Kingsley Amis, no admirer of Cecil, was capable of taking violent exception. I recall an unhappy exchange at a Spectator lunch during which I was not only foolish enough to reveal to Amis my admiration of Beerbohm, but to use the word "exquisite" when trying to justify this bizarre enthusiasm.

















