When he finally won the Nobel Prize in 1981, it was for his one and only novel, Die Blendung (translated as Auto da Fè), which had appeared as long ago as 1935. He also struggled to write non-fiction, again producing a single work, Crowds and Power (1960), which failed to make the éclat he had expected, at least in Britain. Canetti resented the fact that his talent as a memoirist and a miniaturist led him to aphoristic and fragmentary forms that had less prestige than novel or treatise. Iris eventually freed herself from the tutelage of the man her husband referred to sardonically as “the Dichter”, but she continued to act as a kind of unofficial spokesman for him. In 1982, she wrote to the Sunday Times to defend Canetti against the claim that he had refused to publish an earlier memoir (The Torch in My Ear) in Britain “because he resents neglect of his work in this country. This is not his motive; he wishes simply to avoid hurting the feelings of certain people who live here.” Iris would have been mortified to read his posthumous revenge on her.
Iris’s correspondence testifies to other passions for older men of high intellect, many of them émigrés from Nazi-occupied Europe, from whom she learnt what she could: M.R.D. Foot, the war hero and SOE historian who later married (and divorced) her friend Philippa Bosanquet; Thomas Balogh, the Hungarian economist, whom she denounced as “the devil incarnate” and “quite unscrupulous”, but who seems to have cured her of Communism; Eduard Fraenkel, her “dear” tutor in classics who, though “a little sadistic”, gave her “a vision of excellence”; Raymond Queneau, the French writer and editor at Gallimard, whom Iris loved but never seduced; Arnaldo Momigliano, the historian of ancient Rome, who introduced her to Italy; and Georg Kreisel, a favourite disciple of Wittgenstein himself, who became her confidante and the model for Marcus Vallar, the charismatic healer in The Message to the Planet. A smaller number of women were also close to Iris. Some were bisexual — such as Philippa Foot and Brigid Brophy, the novelist and musicologist who carried on a series of lesbian affairs while married to the director of the National Gallery, Michael Levey — while others were equally unconventional, such as Lucy Klatschko, who gave up secular life for her vocation as a nun, Sister Marian of Stanbrook Abbey. What these friends of Iris had in common was that they all loved her, even if they left her.
I have left Michael Oakeshott till last because his relationship with Iris was perhaps the most improbable of them all. A political philosopher of real stature, who had a short affair and a long friendship with Iris, Oakeshott carried on a vigorous correspondence with her from 1958 to 1963, though their friendship faded in later years. When John Bayley sold her working library in 2003, I wrote a piece about the marginalia. Nine years after their affair in 1950, Oakeshott gave her a book on philosophy “with very much love”, but his guide to the Derby, How to Pick a Winner, was unread. It was Oakeshott who, having broken off the affair, later became the emotionally needy one, as he poured out his woes over an unhappy relationship with a married woman. They were both romantics, although their politics at this stage were at opposite poles: he was becoming the leading conservative thinker of the day, while she was still firmly on the anti-Communist Left. “I suspect you are responsible, by reaction,” she teased him in 1958, “for a lot of my political ideas!” Soothingly, she added: “But my thoughts of you are not political at all.” What seems to have fascinated her about his thought was his critique of rationalism in politics, in favour of custom and experience.
Iris’s correspondence testifies to other passions for older men of high intellect, many of them émigrés from Nazi-occupied Europe, from whom she learnt what she could: M.R.D. Foot, the war hero and SOE historian who later married (and divorced) her friend Philippa Bosanquet; Thomas Balogh, the Hungarian economist, whom she denounced as “the devil incarnate” and “quite unscrupulous”, but who seems to have cured her of Communism; Eduard Fraenkel, her “dear” tutor in classics who, though “a little sadistic”, gave her “a vision of excellence”; Raymond Queneau, the French writer and editor at Gallimard, whom Iris loved but never seduced; Arnaldo Momigliano, the historian of ancient Rome, who introduced her to Italy; and Georg Kreisel, a favourite disciple of Wittgenstein himself, who became her confidante and the model for Marcus Vallar, the charismatic healer in The Message to the Planet. A smaller number of women were also close to Iris. Some were bisexual — such as Philippa Foot and Brigid Brophy, the novelist and musicologist who carried on a series of lesbian affairs while married to the director of the National Gallery, Michael Levey — while others were equally unconventional, such as Lucy Klatschko, who gave up secular life for her vocation as a nun, Sister Marian of Stanbrook Abbey. What these friends of Iris had in common was that they all loved her, even if they left her.
I have left Michael Oakeshott till last because his relationship with Iris was perhaps the most improbable of them all. A political philosopher of real stature, who had a short affair and a long friendship with Iris, Oakeshott carried on a vigorous correspondence with her from 1958 to 1963, though their friendship faded in later years. When John Bayley sold her working library in 2003, I wrote a piece about the marginalia. Nine years after their affair in 1950, Oakeshott gave her a book on philosophy “with very much love”, but his guide to the Derby, How to Pick a Winner, was unread. It was Oakeshott who, having broken off the affair, later became the emotionally needy one, as he poured out his woes over an unhappy relationship with a married woman. They were both romantics, although their politics at this stage were at opposite poles: he was becoming the leading conservative thinker of the day, while she was still firmly on the anti-Communist Left. “I suspect you are responsible, by reaction,” she teased him in 1958, “for a lot of my political ideas!” Soothingly, she added: “But my thoughts of you are not political at all.” What seems to have fascinated her about his thought was his critique of rationalism in politics, in favour of custom and experience.


















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