The Arab challenge, however, was not exhausted. Constantinople was the great prize that all Muslim caliphs wanted to win, to make it their capital, from which they could advance into Europe to replace Rome and make good their claim to be the true successors to the followers of Christ. Between 719 and 740 their attacks continued unabated. The defence constitutes one of Byzantium's historic claims: it held off the Arab threat to conquer and occupy Constantinople and thus protected the west from Muslim invasion until the 14th century. While Charles Martel, "the hammer", defeated the Arabs from Spain in 732 at Poitiers and pushed them back over the Pyrenees, Byzantine forces protected Greece, the Balkans, Italy and central Europe for centuries during times of fragmented political rule in the west. This stalwart and prolonged military achievement permitted the powers of western Europe to develop and consolidate, notably through the short-lived empires of Charlemagne, the Ottonians and the Hohenstaufens, Frederick I and II. Without Byzantium blocking the Arab advance, this could never have happened.
But an indirect consequence of the earlier and most challenging Arab campaigns in the east was a tremendous upheaval within Byzantium itself, directed towards the images of holy persons, icons of Christ, the Mother of God, saints, monks and bishops. As Muslim victories over the Christian forces of Byzantium dominated the first half of the 8th century, churchmen and civilians alike questioned why Byzantine forces were not more successful, and concluded that they must be committing some very grave sin. The emperor's advisers informed Leo III that it was the sin of idolatry - excessive worship of Christian icons - that was causing divine displeasure. So in 730 he issued an order to remove the holy images, thus opening a period of iconoclasm (the destruction of icons), which dominated the empire until 787, and again from 815-43. The key to Byzantine iconoclasm, however, must lie with the example of Islam, which admitted no figural representation in full compliance with the Second Commandment of Moses: "Thou shalt not make unto thee any graven image, or any likeness of any thing" (Exodus 20:4-5).


















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