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But then broadcasting came along in the 1920s and we decided we would replicate the idea of Henry VIII's establishment in the airwaves. We did it in quite a Henry VIII way actually, because we didn't allow any competition to start with and then we only allowed some competition very reluctantly. And we did it in the name of values, believing that we were doing something wonderfully British, and good, and deep, and "Nation shall speak peace unto nation" and all the rest of it. That seems to me to be a very difficult thing to defend in any free society, but I do acknowledge that in the early days the BBC took those values seriously. I would not wish for a broadcasting system to be constructed in that way, but there's no doubt that it did try. Therefore it produced very high quality programmes. 

That seems to me to have long disappeared and the coherence has been lost, and it's become much more imperial. And it's partly because it feels it has to capture every area of broadcasting. So the church has lost its way but not unfortunately lost its power and its money, and that seems to me to be wrong, and illiberal. And the fact that most of the people who run the BBC are called "liberals" in the sense that those are their political views... 

CB: By whom?

CM: In general, they would be recognised as what people mean by liberal. It's undeniable that the ethos of the BBC is liberal in the sense that people use that word meaning "vaguely lefty".

CB: You mean like Andrew Neil? You call him liberal?

CM: No, but he doesn't run it. On the whole it's undeniable that the ethos of the BBC is liberal in the sense that people use that word meaning "vaguely lefty".

CB: Well, it's plainly deniable, because there was a rather good article in the New Statesman recently, saying that the BBC is a rather right-wing organisation. I don't believe that either.

CM: I'm saying these people are "liberals" but nevertheless it is an illiberal system. If you tell this to an American they can scarcely believe that it's against the law to watch live television in this country unless you pay money to the BBC. 

CB: The same American will tell you that he wishes he had a broadcasting service producing as high-quality, impartial news and current affairs and drama as the BBC. The two go together. And because you don't like, for reasons of free market purity, the system of funding, you find it difficult to recognise the strength of the BBC's output.

CM: It's not really a free-market point — it's a freedom point. And I don't agree with the idea that we have impartial news. Let's take the best of all BBC news programmes — the Today programme: you can always tell by the way it's presented who's in the dock and who's the hero. First, that's not the way an impartial programme should be done. Second, the person who is usually in the dock is a person who is considered to be bad from a soft left-liberal position. It's not something you could prove in a court of law, but it's perfectly obvious to me. For example, how many times would there be a thing on the Today programme in which an industrial producer was the hero of a story about the environment and Friends of the Earth was the villain? How often would it be the case that an anti-homosexual preacher was the hero and a gay rights advocate was the villain? How often would it be the case that an Ulster Unionist was the hero and an Irish nationalist was the villain? I think you honestly couldn't deny that those things were discernible.

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jose
December 22nd, 2009
4:12 AM
is that guy trying to demostrate the BBC is not liberal?

Sue
October 15th, 2009
11:10 AM
When are so called conservatives going to stand up and speak the truth to and about the likes of Russ Limbaugh and the other raving-loonies who are now the public face of the GOP in the USA.

Valentinus
October 12th, 2009
10:10 PM
IIt is always much better when Charles Moore's strange views about the BBC are out in the open rather than working corrosively and without scrutiny to undermine public service broadcasting. When he is subject to proper examination, the transparent ideological bias of his position is routinely and drearily exposed. There is a simple task for Charles Moore: Charles, close thy Telegraph and open thy Radio Times. Do what I do. Take about 1 hour on a Saturday morning and look, just look, at what you get for your license fee over the course of 7 days. Then look us straight in the eye and try telling us that we can get this cornucopia of culture, sport, news, drama, music, current affairs and entertainment for anything like that cost base and efficiency. In fact, Charles, we can't get it at all, even if we paid ten times the license fee. My father pays the equivalent of my license fee for three months of a couple of Sky Sports and movie channels, nothing more. I might have said the equivalent of HIS license fee, but he is over 75 and gets the BBC (all of it) for nothing. Yes, nothing. And you know? Two thirds of what he watches, listens to and enjoys never comes near me. And three quarters of what I watch, listen to and enjoy never goes near him. Welcome to the BBC. I have noticed, in short, a common thread among anti-BBC ideologues: they don't actually know what's on. This seems a curious position from which to attack anything and explains why they need daft episodes such as L'Affair Ross on which to hang their opposition. I do wonder if guys like Charles actually know this deep down and that's why they evade it. For dull cultureless people with year-round tans like the Murdochs it is in a sense a much more honest conflict: their implacable hatred of the BBC originates in the obstacle public sector broadcasting presents to the expansion of their wealth and global power. But my advice to Murdoch Junior would be the same: close they Friedman, open thy Radio Times. I guarantee you'll find something to assuage the unbearable lightness of being. And it will probably cost you about 14p. As for the rest of the so-called argument? Bring it on.

IC
September 27th, 2009
5:09 PM
It is not surprising that the BBC's head of comedy is gloomy. Most BBC "comedy" programmes nowadays are puerile or revolting, without wit or humour - compare these with the shows that the BBC used to make, or the sharp US comedies shown on other channels.

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