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Longer periods away from home - just over two weeks in Japan and Korea in this case - always make me think about time and our experience of it. On the larger scale, one experiences the elasticity of time complicated by homesickness, jet-lag, work schedule and the personal, emotional shape of absence (the last couple of days always fly by as far as I am concerned). On the smaller scale, trips away are almost the only periods in which I experience regular, abstract exercise, usually swimming. If I swim 20 minutes a day for a week or more, the weirdness of time very quickly becomes apparent: the subjectivity of the time I experience, weaving in and out of my thoughts, is totally at odds with the stop-clock ahead of me, ticking away the seconds, and the ordinary clock to my left or right, converting time elapsed into portions of a circle, slices of a pie.

This is, it might seem, pretty banal stuff. The subjectivity of our experience of time is widely acknowledged. As we get older, time seems to go faster - or is it that we seem to move faster in time? The spatial metaphors we use are confused and confusing. The theories to explain this change range from the physiological (the body cools as we age) to the arithmetical (each moment is a smaller proportion of a lengthening lifespan).

If time is so mutable, so much a matter of the ebb and flow of consciousness, is it in fact illusory? The commonsense view has long been that of classical science. Isaac Newton contrasted "absolute, true, and mathematical time" which "in and of itself and of its own nature, without reference to anything external, flows uniformly and by another name is called duration" with what he called "relative, apparent and common time". This is the view he bequeathed to the industrial age, the world of clocks, measurement and effective time management, but one which was exploded in its metaphysical aspects by Einstein's musings on relative motion and the speed of light, by the space-time continuum, and the uncertainties of quantum mechanics.

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Ujjval
January 4th, 2009
10:01 PM
Re Mr Wonderful's wonderful comments: We can come back from absorption as from deep sleep not knowing what we have experienced but summer young.

Mary E. Martin
January 4th, 2009
7:01 PM
Ivery much enjoyed reading this article. As a writer of novels, I have often wondered how one could write as beautifully as so many musicians are able to compose. It is of course a matter of hearing the lyric in everything. I believe it is the philosopher, Heinrich Zimmer who said, "The best things cannot be told. The second best are misunderstood." And so, we only have so many languages [art, music, literature etc.,] by which we may attempt to convey our humanity to one another and catch a few timeless moments.

Anonymous
January 4th, 2009
7:01 PM
No, my life is not this precipitous hour through which you see me passing at a run. I stand before my background like a tree. Of all my many mouths, I am but one, and that which soonest chooses to be dumb. I am the rest between two notes which, struck together, sound discordantly, because death’s note would claim a higher key. But in the dark pause, trembling, the notes meet, harmonious. And the song continues sweet. – Rainer Maria Rilke

Ted Schrey
January 4th, 2009
6:01 PM
If I remember Jaspers correctly he talked about eternity as hiding in the interstices of time--those unattended, tiny spaces between experiences. From which I conclude that eternity is not an instance of human experience. I wished that musicians would stick to their trade--making music--and leave the thinking to others.

MkII
January 4th, 2009
6:01 AM
"In the baldest sense this is pretentious nonsense. Music is a language..." This passage shows no clear argument, simply a "bald" assertion, without even a proper definition of terms. First, one must define precisely what one means by language - a term of some contention, one might well say. Furthermore, the claim that music is indeed a language is itself deeply controversial. If, for example, one considers language a means of communicating information, one could validly argue that this is not the purpose of music at all. Music - especially abstract instrumental music - has as little to do with information as poetry has to do with a news report. The asthetic experience, at least in certain cases, attempts to escape the bounds of the limited everyday to a more profound - and timeless - experiences. To argue whether this is a "human" experience or not is semantic and irrelevant. The point is that we do desire and seek this experience, and music seems to open a gateway to it. An analytic description inevitably fails to explain music, and in fact, trivializes that which makes music essential. It is exactly because of the failure of purely analytical language that we need music and the other arts.

Anonymous
January 4th, 2009
12:01 AM
All best, in timing and music-making, for 2009. I am already bearing down diligently on dissertation. Meetings with Vitor and Paul Breslin upcoming. I'll be in touch with you soon...

Fab
January 4th, 2009
12:01 AM
Yeah

Lady Murasaki
January 3rd, 2009
10:01 PM
Cantrell, or Larry as he likes to be called, is a well-known troll at many internet sites. He has no true opinions nor any contributions to make. His sole purpose is to attempt to create flame wars. Ignoring him is always the best option, like an obnoxious two year old he thrives on any attention paid him. He has been banned from many forums.

Dionysius
January 3rd, 2009
9:01 PM
Philosophy and music - apples and oranges actually. In philosophical language, certainly with regard to Heidegger, one can reach the outer limits of intellibility. In music, the most abstract forms, even Ives or Webern, remains hermetic only in a theorectical sense; as Spengler wrote many years ago, music concretizes from immediately upon its composition, rendering that which is thought to be abstract intellible.

Steve Meikle
January 3rd, 2009
8:01 PM
Alas the idea that space time needs to be transcended is in my opinion absurd. Such thinking is an expression of dissatisfaction, and dissatisfaction of this kind is what I hold to be at the root of gnostic heresy. If we need some kind of transcendance from our empty little lives let us seek something, or Someone, that can give it. This will free music from an expectation of something it cannot deliever which in turn will free us to simply enjoy the music. Not transcendance from space time but resolution of our alienation from God, to be found in christ. Now that music is no longer a drug i need, it is a gift i can enjoy even more than ever

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