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July/August 2012
'My recent book wasn't shortlisted for the Orwell Prize but nor was Christopher Hitchens's — the judges must be mad'
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July/August 2012

Faust as disillusioned nuclear scientist: it's a powerful concept. As the final curtain falls, Des McAnuff's Faust is expiring on his laboratory floor,

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July/August 2012

It's hard to imagine The Turn of the Screw more perfectly performed than in ENO's staging by David McVicar, which opened at the Coliseum last night. Were I rating it I'd give it six stars out of five.

It's a stomach-tur

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