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Which, given the easy ride we’re getting, suits us just fine. We seek to make society blinkered, mindless and immature. Look at the way today’s businesses choose to market themselves. They invent names that imitate the nonsense words of babies: Zoopla, Giffgaff, Google, Trivago. They deliberately botch grammar in their slogans to sound naïve and cutesy: “Find your happy”, “Be differenter”, “The joy of done”. They make their advertisements and logos twee and ironic — a twirly moustache here, a talking dog there — just to show how carefree and fun they are.

Those in our society who actually still have children have them later and in smaller numbers than ever. Many simply choose to forego the responsibilities of parenthood altogether. Marriage is an optional extra — one from which we can opt out at any point, regardless of the consequences for the children.

Students expect to be treated like five-year-olds: one conference recently prohibited applause for fear it would, somehow, trigger a spate of breakdowns. Many of my fellow twentysomethings reach adulthood believing they can recreate in their everyday lives the woolly comforts of social media. They discover, with some surprise, that they cannot simply click away real confrontation, and — having never developed the psychological mechanisms to cope with it — instead seek simply to ban it.

The effects of social media don’t end there. A Pew Research Centre study last year found that regular social media users are far more likely than non-users to censor themselves, even offline. We learn to ignore, rather than engage with, genuine disagreement, and so ultimately dismantle the most important distinction between civil society and the playground — the ability to live respectfully alongside those with whom we disagree.

Social media assures us that the large civilisational questions have already been settled, that undemocratic nations will — just as soon as they’re able to tweet a little more — burst into glorious liberty, and that politics is, thus, merely a series of gestures to make us feel a bit better. Hence the bewildering range of global issues we seem to think can be somehow resolved with a sober mugshot and a meaningful hashtag.

In reality, our good fortune is an anomaly. We’ll face again genuine, terrifying confrontations of a kind we can scarcely imagine today. And we’ll need something a little more robust than an e-petition and a cat video.

Sadly, our philosophical approach seems to have been to paper over Nietzsche’s terrifying abyss with “Keep calm . . .” posters. If one were to characterise the West’s broad philosophical outlook today, it would be this: sentimental nihilism. We accept, as “risen apes”, that it’s all meaningless. But hey, we’re having a good time, right?

This is gleefully expressed by our society’s favourite spokespeople — comedians, glorifying the saccharine naivety of a culture stuck in the present. When the New York Times columnist Ross Douthat asked the comedian Bill Maher to locate the source of human rights, he simply shrugged his shoulders and said, “It’s in the laws of common sense.”

Unable to make sense — as Alasdair MacIntyre says — of the mutilated philosophical traditions that once gave our now everyday language its meaning, we curl up into our little corner of history and — fingers crossed behind our backs — resort to wishful assertions. As a classic sentimental nihilist, Stephen Fry, says: “I know that lies will always fail and indecency and intolerance will always perish.” Really? On what evidence?

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amcdonald
October 12th, 2015
1:10 PM
The very height of civilisation,surpassing even New Order, is Sia`s `Chandelier`. The triumph of pagan modernism in culture . I bought it an hour ago.

amcdonald
October 8th, 2015
3:10 PM
The new Bond film song `The Writing`s on The Wall` is the worst song in the entire history of world music. It sounds like Mick Hucknall being put through a mincer. Have Tory Party voters made it Number One In The Charts? The imitation of an imitation has reached it`s nadir. However the new New Order album (free on Youtube) is the genius and joy (division) of British/Mancunian Enlightenment Values in music. Or simply universal excellence.

amcdonald
September 26th, 2015
2:09 PM
The police/London Mall Gallery censorship of Mimsy`s artwork criticizing Islamic State is cowardly and sinister (as the Guardian 26 september reports.) Pussy Riot popping up in a metal cage at Banksy`s `Dismaland` is also brave and witty. For free mp3 music/artists solidarity emailed to you send your request to XFACTORY RECORDS at [email protected] Once upon a time in the olden days when people lived in the past.........it`s a new genre.

amcdonald
July 4th, 2015
3:07 PM
The review in the Art Newspaper online by Matthew Collings of the Royal Academy Summer Exhibition actually proves my proposition true. As does Glastonbury in a much livelier way. Melody lovers shouldn't miss Future Islands - their set is still available on the BBC Glastonbury site.

Joel*
July 2nd, 2015
7:07 PM
The writer asks a serious, deep question and unfortunately researches it on the surface only (google as a nonsense baby word) and then, as an answer, falls back on the usual binary paths of modernism versus an imaginary golden past.

amcdonald
July 2nd, 2015
3:07 PM
The Bank of England wants nominations for a dead artist to feature on the new £20 note (see its website). Oscar Wilde. Zizek is alive and is todays Ken `Civilisation` Clark. The public is being a total failure about all this. All our political,religious and cultural `leaders` included. Soft on Islam- Soft on its Causes Cameron etc want the BBC to start calling `Islamic State` the `Daesh`. Why not `sadistic gobshite scum of the earth`? The English language not good enough for the Tories anymore ? The Tories are weak`Neville Chamberlains` not `Winston Churchills`. Same problem on the Left. Kit Wilson starts off barbarously flippant. Zizek advocates creating our own higher leading culture that regulates the interactions between the subcultures. If art is the star commodity that helps sell all the others how perfect for capitalism that Damien Hirst (the Chris Evans of postmodern uk)exists. The Royal Academy being it`s Top Gear. It`s glitzy passive nihilism. Not a Zizek of an idea between them.

The Sanity Inspector
July 1st, 2015
4:07 PM
As for art, the pants-droppers who call themselves artists nowadays ought to watch Kenneth Clark's "Civilisation", and then enlist in the military. If they want to shock me, that would do it.

Toryhere
July 1st, 2015
6:07 AM
But moderan art is capitalism writ large. After all, we see meaningless daubs and lumps of indefinable shape sold everyday for millions of dollars, all on the say so of the art establishment which has somehow convinced that these things have intrinsic value. Isn't that what capitalism has done for so many goods and services throughout history. I do not say this as an attack on capitalism, but as a encomium. Capitalism allows man to soar free and ascribe value to anything. it does not of itself cause us the veer away from high culture. That is usually something that has been encouraged by those who loathe capitalism.

Susan Rononymous
July 1st, 2015
12:07 AM
A bracing, provocative piece. Sentimental nihilism, yes. Creeping infantilism I call it. American/British pop culture was, not so long ago, egalitarian and joyful-now sarcastic and brain-dead. Not sure how capitalism is a positive here--wealth inequality is edging towards a new feudalism.

EVM
June 30th, 2015
4:06 PM
What a pessimistic, ill-thought out article. As one of the 20-somethings that Wilson chooses to vilify with tired blanket insults, I can attest to the fact that this rubbish lacks veracity (I know plenty of young people who spend no time on social media, preferring to work, volunteer and travel). Moreover, this piece lacks historical perspective. Like so many recent articles, this one willfully chooses to ignore that commentators have always viewed their reality as the time when all society crumbles away and culture dissolves. The cultural apocalypse has been coming, it seems, since the very beginning of culture, and we have yet to see anything to prove articles like this right. After every major conflict, art has emerged triumphantly, fortified by adversity. Modernism came from WWI, when Western culture was completely shattered. It was rescued by the likes of Eliot, who writes, "these fragments I have shored against my ruins," as he collects the detritus left by the war. WWII brought us post-modernism and a literature influenced by quantum physics. My point is this: maybe we should all spend less time writing articles that bemoan the decimation of culture and instead focus on constructing cultural bulwarks against the disaster.

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