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CB: I can't play your game with half the money, because the game is up. But what would I least like to lose? In no particular order: all of the BBC radio, and I include Radio 1, partly because none of these costs a lot of money, and BBC 1 and BBC 2. The impact of more straitened financial circumstances will be to put a real dampener on costs in the BBC in a way that hasn't happened so far, although the BBC's savings have been considerable. And I think that it will be not just overheads, but artists' salaries, and some programme rights that will be affected. 

It's heretical, and I hardly dare say it, but it's not absolutely clear what the BBC brings to sport. The creativity that the programme makers bring is limited to good-looking ex-footballer presenters, and maybe some graphics in the case of cricket. The game is the game, whoever shows it.  Now I'm in favour of listed events — there are some things that ought to be available on broadcast television and not exclusive to subscription, but it's not clear that the BBC would die if it no longer covered sport, because other people would do it. 

CM: I'm glad to hear you say it, but it's a principle capable of considerable extension. 

CB: Not considerable extension, because the BBC creates most of its programmes in one form or another. 

CM: An interesting example is regional — if you watch the BBC regional news programmes they're good, but you do wonder why they're there. Because they again have the chilling effect that it makes it pretty well impossible for somebody else to produce a regional programme.

CB: I think that isn't the case. Actually what happened is that ITV lost its regional focus, gave up its regional programming, and stopped producing decent regional news. I was chairman of the BBC and its local news ratings passed ITV's for the first time. That was ITV simply taking their eye off the ball. And they've taken it further and further off the ball, they've lost the identity of the regional companies like Granada, Yorkshire and Tyne Tees, probably irrecoverably. 

DJ: What about the idea of sharing the licence fee, of so-called top-slicing? 

CB: It's complete nonsense. If you want to reduce or cap the licence fee there are perfectly strong, sensible arguments in a straitened economic environment for doing that. But the idea that you somehow redistribute some of it is nonsense. Did you read the Digital Britain report? 

CM: I did actually, yes.

CB: I call it the Twitter Blatherwick Report. It's depressing. It has everything that is most despicable about the government. It held un-conferences. It had a Twitter account. It had an introduction by [Peter] Mandelson and [Ben] Bradshaw. It had the Blatherwick family digitally connected in South London. It had a tsar, a Champion for Digital Inclusion. It had what it described as "a new model of industrial activism", which is the old Industrial Reorganisation Corporation writ large. It had a stealth tax, a £5 annual "supplement" on every fixed-line telephone to pay for the upgrading of the internet.

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jose
December 22nd, 2009
4:12 AM
is that guy trying to demostrate the BBC is not liberal?

Sue
October 15th, 2009
11:10 AM
When are so called conservatives going to stand up and speak the truth to and about the likes of Russ Limbaugh and the other raving-loonies who are now the public face of the GOP in the USA.

Valentinus
October 12th, 2009
10:10 PM
IIt is always much better when Charles Moore's strange views about the BBC are out in the open rather than working corrosively and without scrutiny to undermine public service broadcasting. When he is subject to proper examination, the transparent ideological bias of his position is routinely and drearily exposed. There is a simple task for Charles Moore: Charles, close thy Telegraph and open thy Radio Times. Do what I do. Take about 1 hour on a Saturday morning and look, just look, at what you get for your license fee over the course of 7 days. Then look us straight in the eye and try telling us that we can get this cornucopia of culture, sport, news, drama, music, current affairs and entertainment for anything like that cost base and efficiency. In fact, Charles, we can't get it at all, even if we paid ten times the license fee. My father pays the equivalent of my license fee for three months of a couple of Sky Sports and movie channels, nothing more. I might have said the equivalent of HIS license fee, but he is over 75 and gets the BBC (all of it) for nothing. Yes, nothing. And you know? Two thirds of what he watches, listens to and enjoys never comes near me. And three quarters of what I watch, listen to and enjoy never goes near him. Welcome to the BBC. I have noticed, in short, a common thread among anti-BBC ideologues: they don't actually know what's on. This seems a curious position from which to attack anything and explains why they need daft episodes such as L'Affair Ross on which to hang their opposition. I do wonder if guys like Charles actually know this deep down and that's why they evade it. For dull cultureless people with year-round tans like the Murdochs it is in a sense a much more honest conflict: their implacable hatred of the BBC originates in the obstacle public sector broadcasting presents to the expansion of their wealth and global power. But my advice to Murdoch Junior would be the same: close they Friedman, open thy Radio Times. I guarantee you'll find something to assuage the unbearable lightness of being. And it will probably cost you about 14p. As for the rest of the so-called argument? Bring it on.

IC
September 27th, 2009
5:09 PM
It is not surprising that the BBC's head of comedy is gloomy. Most BBC "comedy" programmes nowadays are puerile or revolting, without wit or humour - compare these with the shows that the BBC used to make, or the sharp US comedies shown on other channels.

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