All fine, but how does this radical action plan mesh with the withering mythology of decline which constitutes the rest of the book? Milton Friedman's rule — make the wrong people do the right thing — is also Mark Steyn's, but how do you make an entire nation of "wrong people" do the right thing? "America faces a choice," he writes. Amen to that. But he also rails against "the inertia, the ennui, the fatalism" he sees all around him. Who are the Americans to whom Steyn's addresses himself? All those, presumably, who have not yet been corrupted by Big Government and indoctrinated by the "Obamessiah". But if there are enough of these ordinary Americans to make such an appeal meaningful, we must assume that the country is not necessarily facing meltdown after all.
There is a rhetorical sleight of hand going on here: there is a fork in the road to serfdom (Hayek is an unacknowledged but important inspiration for Steyn), and it is just not true that all roads lead to Armageddon. Steyn is a mythologist of decline, but he is no declinist: on the contrary, he would doubtless, like me, blame declinists for talking their countrymen into accelerating decline.
The difference between us is that like Adam Smith, I believe there is a great deal of ruin in a nation — and a great deal of decline in the West. The United States still represents the antithesis of the fatalism which dominates both the Islamic world and China. The impersonal determinism that is characteristic both of Chinese communism and Islamic "kismet" seems to me a dubious basis for world domination. We live in an era that still values individual liberty, for all the infantilising effects of paternalistic statism. These lunacies, all of which Mark Steyn lovingly dissects, are nonetheless by-products of free choices. America always does the right thing in the end, once it has exhausted all the other options. Nothing less than 9/11 would have it made possible for America to strike back hard at radical Islamists; nothing less than the worst president for a century would have produced such a rapid reaction against his excesses as we are now witnessing. The mythology of decline can only capture the national imagination if we abandon the distinction between rationality and fantasy.
- Liberty And Sovereignty
- Art And Public Culture In The 1830s And Today
- The Casanova Of LaSalle Street
- The Writer
- New Poetry
- Cartagena Poems
- A British Subject
- Travels with Betjeman
- Kizerman and Feigenbaum
- Communism’s Comeback?
- Irving Kristol on Jews and Judaism
- The State of Charity
- Teeth
- La Buena Muerte
- Judaeophobia
- Cool It
- Rachmones
- From 'Russia'
- 'Going Out' and Five Other Poems
- The Final Edition


















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