I have often heard Mandela's reputation called "celebrity" (and he certainly has a great personal affinity for celebrities), but this does not describe it. At least in the West, famous people are pathetically accountable, often for quite private failings. Mandela is an idol in the old sense in that his meaning is static, as if he were not alive and human.
He has not gone uncriticised. There is a balanced critical biography by Tom Lodge (Mandela: A Critical Life, Oxford University Press, 2006). But finding fault with Mandela is like trying to change the definition of a well-established word — pretty much impossible. Mandela is that much of a symbol. Breytenbach himself touches on an attempt at dissent from the Mandela cult, mentioning the nickname "Moneydeala", but then veers off into blaming Mandela's circle ("After all, your aura is for sale, and your entourage is very needy and greedy"), as if he has reported a piece of abysmal slang that he, as an authoritative writer, can of course not use.
The worship of Mandela amounts to a very determined worship of South Africans' own self-will. Mandela's cult cuts people loose, sanctifies whatever they feel like doing. I saw this most clearly in his attempts to change people's behaviour. He would declare, for example, that men and women must share housework and childcare, or that parents who refused to send their children to school would go to jail. Naturally, he has railed against crime. Nothing ever happened. No one on the ground seemed to equate loving Mandela with doing anything he wanted done.
I would by no means single out the black majority here. The white buy-in to Mandela isn't startlingly more enlightened, and its consequences may be more destructive. Suburbanites who revere him apply his lessons about the sanctity of aspiration and success in unconsciously ironic ways: Mandela is wonderful, most things are better now, we can do deals with the new government and take a six-week vacation in the Seychelles, but what does our gardener mean about wanting to be paid while we're gone?
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